ex-offender

Robert and Joyce

I met Robert when he was an inmate in the Philadelphia House of Correction and I was Mennonite Chaplain. He was then transferred to the Phila. Industrial Correctional Center when it opened in 1986. He attended my Bible studies there. He asked me to bring some groceries, a Bible and a few other items to Joyce where she was living, Richard Allen Homes.

Robert Joyce

When the other inmates heard I was going there, they urged me not to go. They assured me it was far too dangerous for one such as me.

I went. I was shocked to find such deplorable conditions. Joyce was living on the couch in a tiny, bug & vermin infested apartment with an older woman who was dying of leukemia. Joyce was there illegally, but she exchanged care for the woman in lieu of rent of couch space. There was a waiting list to get into RAH. The entry hall had been firebombed and never cleaned up.

I dropped off the groceries. We had a short visit. As I was leaving, I saw that several cars in the parking lot had their windows smashed. Another car with its windows smashed out pulled in just then. The next thing I see is a group of tough guys sizing me up. I was wearing jeans and a T-shirt; nothing to indicate that I was a minister of any kind. This was the kind of trouble the men at PICC had been worried about. Then, all at once, they all focused just above my head. Then I heard one of them mutter to the others, “Don’t mess with him. He’s a missionary man.” The tallest of them then said, “Have a nice day.” I replied with the same and proceeded to my car, hoping to find it with windows intact. They were.

After Robert got out of jail, we had Joyce and him to our house for dinner. There were more grocery runs. Then word came that Joyce had died from AIDS and then word from the street a month later that Robert passed, as well. We knew them less than a year, but they left a mark on our hearts.

They were the first people we knew to die of AIDS. This was several years before World AIDS Day in 1991 and the red ribbon AIDS awareness campaign. I put a little anachronous AIDS ribbon earring in Joyce’s ear in the painting. Once again, these are not accurate likenesses, since we have no photographs, and it has been nearly 30 years. They are likenesses painted out of loving memory.

The painting is acrylic on 11″x14″ canvas with painted edges.

Price: $150

SOLD

Nebraska

Nebraska

Oh, to be young again!

Or, in my case, for the first time. I spent most of my time as a child with adults, or at least older children. I would help my older sister with her homework. My brother took me to college when I was 13, got me drunk; and I still held my own in theological discussions with the divinity graduate students into the wee hours of the morning. I still remember the discussion nearly 50 years later! I was born old! This was not the case for Nebraska.

Even though Nebraska had had a pretty hard knock life so far, he remained childlike, cheerful, confident; just a downright happy guy and a joy to be around! We hosted Nebraska (yes, that is his real, first name) for a weekend in our home, while he was staying at Liberty House prison aftercare program in Schwenksville, PA, in 1986. I was Mennonite Chaplain and Volunteer Director with Liberty Ministries at the time and had helped reorganize the aftercare program there, after it had closed in Phila. Nebraska was one of the early residents. He was just 20, and had already been in prison. He had been raised in the foster care system.  Who knows if he actually committed a crime? He was a dark skinned, black youth. He was irrepressibly cheerful. That is enough to get one locked up in any number of towns and neighborhoods in Pennsylvania.

We had a great time with Nebraska. The one memory that sticks out is our trip to Ikea. We all went to Ikea together, all seven of us: Bethann and I, our four daughters and Nebraska. Now Bethann and I were about 30. The girls were 9 and under. In the store, we got a little spread out, but we could see each other. One or another of the girls would exclaim, “Mommy, come see!” or “Daddy, come see!” when they saw something they liked. Then Nebraska exclaimed, “Mommy! Mommy! Come see!” loud enough for the whole floor to hear, and they all watched Bethann answer. We have been tickled by that scene every time we have recalled it, in the 30 years since!

We don’t know what happened to Nebraska after that weekend. I was so busy overseeing over 500 volunteers in eight different jails and prisons and starting several tutoring and other programs. We never saw him again in prison or in aftercare, or on the street, so I’m taking that as a good sign. But I don’t know.

This I do know. Nebraska was not a throwaway. He was not a ‘taker’. He was, and hopefully still is, a beautiful human being, and our brother someplace.

This painting is acrylic on an 11″x14″ stretched canvas.

Price: $90 plus shipping.

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Rosalie

Rosalie

“Other People’s Children” is a totally different approach to pro-life. It looks at adults whom the world has thrown away and sees the absolute beauty and value the world missed. The term “pro-life” has been hijacked by the anti-abortion mob, who are anything but. I celebrate my friends, true loved ones, whom the so-called “pro-life” crowd cast aside as ‘takers’ because of their disabilities, gender, color or economic standing. I am painting their portraits to go along with their stories. Some are from my weak memory. I have very few photos.

I tried to capture the essence of Rosalie, a woman I met in the Women’s Detention Facility in 1985. We became lifelong friends. She was irrepressible. She attached herself to me immediately. We were both about 30, just a month apart in age, worlds apart in backgrounds. She died of leukemia on the street in 2008, when we were about 53. This is just a poor cartoon representing her. It really looks nothing like her aside from the freckles, frizzy red hair and big smile,  but does capture some of the emotional impact of her coming toward me for the first time in the House of Corrections, more than 30 years ago now.

I miss her.

The painting is 16″x12″ acrylic on canvas. It stands quite well on its own: a provocative conversation starter.

Price: SOLD