I suffer from severe depressive disorder, bipolar 1, bipolar 2, and complex PTSD, as well as the after effects of six strokes, 50 TIAs, and a seizure or two. The COVID quarantine did not help matters. I, like several of my artist friends, found myself severely blocked. During a time, when one would think we could be free from social distractions to spend more time producing art, instead, almost nothing.
An artist friend in Georgia proposed an exchange. She asked me to paint Hollyhocks and mail it to her. In exchange, she would send me one of her paintings. We did not discuss what she would paint for me.
This painting is on a piece of canvas drop-cloth that I stretched on 11″ x 36″ bars. I had attempted to paint three other paintings on this canvas over the last year. Since this is only one plant, I hope she won’t be disappointed. Technically, it is not “hollyhocks”, but just a lonely hollyhock.
She is very pleased with it! Her name is Suzane Jordan Carty. She painted a lovely 8″ x 10″ abstract painting and a ~3″paper mache’ nest with three small paper mache’ eggs. They are faintly iridescent.
This is a painting of what they call “Yellow Poppies”. I guess it is because some of them are yellow and their centers are yellow, not black. The petals range from orangey red to pale yellow. I painted it on five canvasses: four 10″ x 20″ arranged in leftward pinwheel around a 6″ square. They are to be hung with 2″ spaces between them, which makes this piece 32″ x 32″ overall.
Price: $100 plus postage
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This painting is an extreme close-up of a small Virginia Spiderwort (Tradescantia virginiana) blossom. It is one of 75 species in the Spiderwort genus. It is native to the East coast of the US. It is a beautiful, and easy to grow and maintain addition to just about any garden in Pennsylvania. The bees and butterflies will thank you for it. I painted this on four 14″ x 14″ panels with 2″ gaps. Perhaps it mimics the effect of viewing the blossom through the window of a tiny dollhouse.
The painting comes with Command strips affixed and instructions for hanging.
Many people consider wild violets to be a weed. We enjoy them and plant them! They are wonderful, native perennials that provide sustenance from early spring through fall to bees, rabbits, and other insects and small animals that are essential to a healthy ecosystem. Plus, they add delightful spots of color and bits of softness to a lawn. These tiny blossoms are scattered all across the back yard of the house in Perkasie where we rent an apartment. Each bloom is less than an inch across, so this painting is an enlarged view.
This painting is acrylic on 14″ x 14″ stretched canvas. The edges are painted purple, so framing is optional.
This is a painting of a ruffled pink daylily from our yard on Front St., Souderton. It is painted in black and white on a 24″ x 24″ gallery wrapped canvas. The edges are painted charcoal gray. The title, date and signature are on the edge, giving the flower a stark, uncluttered look.
Price: $200 plus postage.
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The foliage is made to look like metal work, much like the Mayans and Incans did. I twisted parts of the petals, then blew a digital breeze across them with such force that at places individual pixels came loose. The frame is made from four heavy pieces of poplar, that are actually joined in the traditional fashion in angled corners. I shaped them to evoke interlocking peace pipes and carefully used dark walnut stain in a gradient to separate the pipes visually.
The overall message of the piece is about how digital technology even with all of its networking and social media still seems to leave us alone and separated. We need to engage in more natural, primitive social contact in order to maintain emotional and psychological health and happiness: The Tribal Dance.
Image is museum quality printed on canvas which is stretched on a 25″ x 25″ custom frame. The overall dimensions of the piece are 31-1/2″ x 31-1/2″ x 2″.
Price: $500 plus shipping
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This started out as a pair of Miss Jessie daylily blossoms blooming next to our driveway. I photographed them, then tweaked the photo in Photoshop. Then I mirrored the image and inverted the colours. After that, I arranged them checkerboard fashion and added two green borders. This was then museum quality printed on canvas. which I stretched over a handcrafted frame. I made a sleek, modern frame of poplar and coated it with multiple layers of black lacquer, then varnish. This is my favourite daylily! If you look closely, you can even see a tiny insect on one of the petals.
It is named for Andy Warhol, as it is an homage to his Marilyn Monroe serigraphs and Campbell Soup Cans. I never appreciated them from seeing them in books and magazines. I saw them in person at a museum on the University of Minnesota campus around 1990. they were breathtaking, in person! This is why my website is named what it is! Art IS always better in person. Buy some. Take it home.
Overall dimensions are 26″ x 26″ x 2″.
Price: $350reduced to $150 plus postage
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For Valentine’s Day, this year, I painted on 6″ x 6″ stretched canvasses for each of our five grandchildren. It was not planned this way, but as it turned out, they all have purple or lavender in them. They say purple is the most provocative of colors. I think it is fun. These paintings have been well received on Facebook. Here goes!
Asters, etc.
“Asters, etc.” is for Brigitta, age 9. She loves green and is a very good, abstract artist in her own right (better than me). In art, anyway, I find it hard to break free from physical reality. This is a freestyle interpretation of asters, with a couple of undefined, red weed flowers blooming, above the jumble of mixed foliage below.
Goldfinch with pulple coneflowers
“Goldfinch” is for Elijah, age 9. He loves it! It is based on a photograph I had taken through the front door window of our house on Front Street. It was the same goldfinch who had serenaded me at arm’s length while I paused on my morning walk just after my open heart surgery.
Lavender Sunflower
My painting for Isabella is of a sunflower, but with lavender petals. When she saw it, she said, “Poppop, you are a genius!” I surmise she likes it.
Bizaro Skittles
Jacob’s 11th birthday is next week. He wants a cat. His dad does not want any more animals in addition to his three sons in the house. So I painted him “Bizaro Skittles.” It is a portrait of my cat, mirrored, in purple and pale green.
yes!
“yes!” is for our 12-year-old grandson Aidan. I wrote around the sides: “Even when the answer is No, it says YES! I love you. 2 Corinthians 1:19”
It came to me that he is of the age and temperament that he needs to hear this. When his parents or other adults tell him no, it is not because they don’t want him to have fun, it is because they love him and want him to have a long and happy life. I explained this to him when I gave him the painting. He gave me a huge, tight, long hug-of-war hug.
While we are experiencing sub-zero wind chills, it seems only natural to hope for an early Spring. Crocuses, whether purple, lavender, white or yellow, don’t care whether the snow has gone or not. If the days are long enough, the calendar is right, they are popping up and blooming.
Painting is acrylic on 10″ x 10″ stretched canvas.
I painted this Ruby-throated Hummingbird on coarse canvas to echo the one I painted on the cinder block wall as part of the Birds of Perkasie mural that I painted the summer of 2018. This is Bethann’s favorite. I painted the Beebalm in shades of lavender instead of pink. This is closer to the color ours was. This is now pasted on one of the bedroom walls, where I live. I was on the hallway wall of the house we rented on Ridge Ave. I simply used warm water and a sponge to peel it off without damaging it or the wall. The clay based, wallpaper paste remains water-soluble forever.
The painting is acrylic on a 25-3/4″ diameter canvas.
Price: $200 plus postage.
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This painting commemorates the day last June, shortly after my open heart surgery to replace my damaged aortic valve with a pig valve. I had just exited our house and was passing the front “garden”, a jumble of native plants and weeds. I was moving slowly. A male goldfinch landed on one of the many Echinacea that were in bloom. He was within arm’s length of me. He tilted his head and looked at me; then he began to sing. He went through all of his repertoire, then it seemed as if he turned to me again for a response. I said, “Thank you, Mr. Goldfinch!” He nodded and flew off, It was a magical moment, like something from one of those classic Disney movies.
The painting is acrylic on 6″ x 6″ stretched canvas.
These globular blossoms are about 1″ in diameter with tiny tendrils poking out on all sides. The bushes are native to Pennsylvania. They were here before white men arrived. This is a painting of a blossom on a buttonwood bush in front of our house. That is why the red siding color is in the background. This is acrylic on a 16″ diameter canvas. The edge is painted bright yellow to facilitate frame-less hanging.
This painting was inspired by our visit to Edge of the Woods Native Plant Nursery. They have a beautiful butterfly garden that contains all of these plants plus several more in a dense, four foot tall jumble. We have all of the plants portrayed, in our yard in front of the little house we rent. They are goldenrod, milkweed, boneset, butterfly weed, native bee balm, oxeye daisies and red lobelia.
Several types of bees were all over the blooms, this summer, along with about a dozen types of butterflies.
Echinacea is commonly known as coneflower. It is native to where we live in southeastern PA. By native, I mean it was here before European settlers arrived. Yes, it is the same Echinacea that is in your cold remedy to help dry up sniffles. They grow and spread quite nicely in poor soil, as long as there is good sun and drainage. They are my kind of flower, as they thrive on neglect and attract all sorts of beautiful birds, butterflies, moths and bees.
Painting is acrylic on 12″ x 12″ stretched canvas.
Price: $60 plus postage.
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We replaced 30% of our lawn with native plants and always see lots of bumbles and other bees, along with butterflies, moths and birds of all types. Native plants are those that were in the area before Europeans arrived about 400 years ago.
The painting is 6″ x 6″ acrylic on stretched canvas, so is about life-size.
Price: $40 plus postage
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A word of explanation so you are not put off unnecessarily. I am sure you have heard of atheistic Jews. Well, I am an atheist follower of Jesus. So any talk of Jesus is not to proselytize. It just helps tell the story.
Jesus said, “And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin: and yet I say unto you, that even Solomon in all his glory was not arrayed like one of these. Wherefore, if God so clothe the grass of the field, which today is, and tomorrow is cast into the oven, shall he not much more clothe you, O ye of little faith?”
The point is that there is always enough to go around for everyone if we’d only learn to share. The object lesson is taken from daylilies which are native to Asia, including Palestine. Daylilies are glorious. I have about 90 varieties in our tiny yard. This is a painting of a stem of daylily buds that are yet to open. The largest will open the next day. So “consider the lilies” and get out in a garden. Dig in the dirt. Spend time in a park. Connect with the cycles of nature. It will lower your blood pressure and calm your psyche’.
I painted this on April 30, 2016. I was facing open heart surgery in June. I was thinking that just seeing the first bud of Spring one more time will be pleasing. I don’t hurry in grocery lines. I talk to the check out people and the other people in line. Life is for living every part of it, even when you aren’t in full bloom.
I have been saying “Life is too short to be in a hurry” to cashiers and bank tellers who have apologized to me for having long transactions or difficult customers ahead of me for some time now. Before I painted this, I googled the saying. I found it attributed to Oscar Wilde and an obscure poet. I had never read it by either of them, though. I think it just makes sense and treat it as an aphorism of those who have lived long enough to slow down; like all those white heads driving 45 on the freeway!
Now, in the COVID-19 quarantine, it has even more poignancy, as people are antsy to get out and about; to get back to work, etc. But opening too early may kill a lot of people, as the experience in Hong Kong suggests. This brings new meaning to the phrase: “Life is too short to be in a hurry!”
The painting is acrylic on 12″x12″ canvas, painted on the sides as well, so no expensive framing is required.
Price: $75plus postage
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This daylily was painted entirely using a pencil instead of brushes to apply the paint. The large dots were done using the fresh eraser end repeatedly dipped and dotted. The medium-sized dots were accomplished by sharpening the writing end halfway, so the lead was not quite exposed. The small, bright yellow dots, for the stamen, were made by sharpening the pencil to a point, then rubbing it down to a blunt point. For the effect, it helped that the yellow paint was thicker, as well. I even titled, dated and signed it in dots, but that is in fine tipped artist marker.
Painting is 20″ x 16″ acrylic on stretched canvas.
Price: $150 plus postage
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This is a stylized painting of a Stoplight Daylily. It is obvious how this variety earned this name. It is red, yellow and green just like the traffic lights.
The painting is acrylic on 12″ x 12″ stretched canvas.
Price: $65 plus postage
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This is a stylized painting of a Purple Suspenders Daylily from our yard last Summer. There is a huge ladybug on a leaf in the upper right. This variety blooms late in the season with 7″ to 8″ blooms.
The painting is acrylic on 6″ x 6″ stretched canvas.
Price: $30 plus postage
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This daylily stands guard at the front of our yard and again at the edge of our patio with its vibrant, hot pink petals and luminous, deep yellow throat. On a sunny day, they almost seem electric. Roland Teich of Teich & McColgan Daylilies & Hostas bred this variety, so it is Hilltown / Peace Valley born, Roland & Robin’s place is just a half block off of Perkasie’s Callowhill, too.
The painting is acrylic on 12″ x 12″ stretched canvas.
Price: $100 plus postage.
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I decided to just have some fun with the paint last Wednesday and paint a lighter subject, so I painted two daylilies. I used a limited number of colors. “Yin” is based on a Peace Valley Sentinel Daylily, with a Kelly Green and Green Apple split background. On the “Yang” the colors are reversed. I think they make a fun, colorful set. They are each 12″x12″ and are just fine informal, unframed for a sun room or at a beach house, any place you want to spread a little cheer!
Starving artist price: $50 for the pair, plus shipping.
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Daylily blossoms only last for one day, then wilt and die, hence the name. This blossom bloomed over three years ago along the driveway, two residences ago. I photographed it, then processed it in Photoshop to reduce the number of shades of color used in the photo to about 40. I further reduced this number down to 22 shades of paint. Of them, only the yellow, white and two of the shades of green were ready out of a can or tube. The remaining 18 I custom blended. I painted it in the style of the paint by number paintings we did when we were kids, only there were no numbers and there were no pre-printed lines, and it is on a 36″ x 24″ stretched canvas instead of a 14″ X 11″ cardboard. At this size, it makes quite an impact, as it pays homage to a fading pastime.
The painting is acrylic on 36″ x 24″ stretched canvas.
Price: $250 plus postage.
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This is my first photo of a daylily from 2014. The bloom was looking straight at me, dead center in the photo. I superimposed an iris, that is a human iris, onto the bloom. The bloom was the exact shade of yellow my mom used in our living room when she redecorated it. It was the first time she was ever able to redo a whole room at once. The iris is the shade of green she used. I made the background the unique shade of aqua she used. That color became very popular in Golden Valley, MN. The florists my mom used would dye flowers that color for our parties. People would see them at our house or at the florists’ shop while awaiting delivery and request it for themselves. It became known as “B.J. Blue”. My mom’s name was B.J., short for Betty Jane.
Then I asked John Haggerty to help me by making the shape of a camera bezel for the frame on his Shop-Bot. I painted it black and inserted the museum quality print on canvas in the back.
~14-3/4″ diameter x 3-5/8″deep
Price: $350 plus shipping.
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At our house on Front Street in Souderton, I planted a Stoplight Daylily at the end of the driveway by the sidewalk. It is aptly named because of its brilliant red and yellow blossoms and bright green leaves. I am known for not noticing stoplights. At one point, when I was in my 30s, I started to count the red lights I noticed just after I blew through them. I stopped counting at 70, after a few weeks. When I drove my Scion xB for The King’s Jubilee, and we were giving rides home to people, it was customary for my regular passengers to quickly claim the back seat. This included 6’5″ Tony. At any rate, stoplights at midnight are a bit easier to see. Everyone was relieved when I safely arrived home to the one at the end of my drive.
It is subtle, but the background is not true black. It has a hint of blue in it. Also, in person, the stamen appear more orange than they appear in the photo. It is a very dramatic piece.
The painting is acrylic on 24″ x 18″ stretched canvas.
Price: $120 plus postage.
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Another photograph in my Lily Gilding series, this one has been filtered with a yellow “neon glow” then dabbed with touches of orange at the centers of the blooms to signify scent. Bees are especially attracted to the bright colors of the blossoms and filter out the greens. It is said, in fact, that perhaps they only see yellow. They are mostly guided by scent. Hummingbirds are especially attracted to yellows and reds. So this photo is all about the birds and the bees.
Skep
I made the frame out of native PA poplar and ribbed it reminiscent of the traditional bee skeps, then coated it with nine coats of black lacquer. It is museum quality printed on canvas.
The canvas is 24″x24″. The overall dimensions of the frame are 29-3/8″x29-3/8″x2″
This is from a photo of daylilies by our driveway taken in 2007. The “bonnet” is the spent blossom from the previous day. I filtered it to wash most of it to black. The name for this piece is “Widow’s Bonnet”. This is why she is wearing black. It is also why she is surrounded by about a 4″ ring of hammered copper. This represents the “Widow’s Mite” in the Gospel story. Daylilies are the lilies of the field that Jesus was talking about, which we are “to consider, for they do not labor, neither so they spin, but Solomon in all his glory was not arrayed like one of these.” Yet they are gone in a day, to be replaced with another equally beautiful bloom the next! The mite was the smallest copper coin with a hole in the middle; it was worth so little. That was all the widow had, yet she gave it to the poor at the Temple collection box. Jesus pointed out that she had given more than all the rich who had gone before and after, because she had given all she had.
So this piece reminds us of these two lessons. There is more than enough to go around every day, if only we share it. Give everything if necessary to make that happen.
This is a photograph that has been altered and museum quality printed on canvas. The frame is hand-hammered copper flashing tacked over a black painted, plywood base. It is 18-3/4″ diameter.
Price: $300 plus shipping
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This is from my Lily Gilding series. Before I painted daylilies, I painted with them. This is a photograph of a Backdraft Daylily, from a couple of summers back, right next to our front step. I modified it using several filters and adjustments, then cropped it just right. I call it Phoenix as it shows the persistence of new life and hope, even in the midst of entropy and crumbling bricks.
The border and frame paint are taken directly from the colors in the photo. Each time you look at it, be emboldened to hope and to work for positive change that we may rise from the ashes of our brokenness to see in each and every man, woman and child, a sister or a brother, worthy of dignity, respect, and care.
This is museum quality printed on canvas. I custom-made the frame from native PA poplar. The canvas is 24″x24″. The overall dimensions with the frame are 27″x27″x2-3/4″. The price is $450 plus shipping. (I have been told the frame is worth that alone.)
Sold.
The person who purchased it calls me every couple of months to thank me again for the beauty and brightness it has added to her home.
I can make another. I have committed to making no more than 10 total. Each are signed and numbered.
I wanted to paint poppies and figured that Georgia O’Keeffe had already done that better than I could ever do, so I tweaked it. This whimsical painting is based on a photograph of wild poppies with the color profile shifted to be similar to black light, or as if they were viewed through black light sunglasses.
Painting is acrylic and Sharpie on 20″ x 16″ stretched canvas.
Price: $200 plus postage
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This is a stylized painting of a Blue Waterlily (nymphaea caerulea). It is also known as a Blue Lotus. It was sacred in ancient Egypt, associated with the sun god Ra. In 2009, it was made illegal in Latvia, Poland, and Russia, for its drug uses. It is floating on the water, of course, which is reflecting the blue sky.
I painted this waterlily using just three colors of paint: Titanium White, Cerulean Blue, and Cadmium Yellow.
The painting is acrylic on 12″ x 12″ stretched canvas.
Price: $20 plus postage.
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This painting of a single tulip set on the background of a fiery diamond was inspired by the blizzard we experienced in Perkasie, PA on the first full day of Spring where we had over a foot of snow fall. Well, to say it fell is to misstate the situation. Much of the time it was flying sideways. The next day it was over 40º F. As the snow melted, the crocuses were still blooming, the tulip leaves and hyacinth buds had appeared. Sports fans are eagerly anticipating baseball opening day. We have three rapidly melting snow boulders in our front yard, the handiwork of our younger granddaughter, Brigitta.
Other than the stem, the painting was all accomplished using white, red and yellow paint, blending to make all the shades of pink, pale yellow, orange, and hot pink.
Painting is acrylic on 12″ x 12″ stretched canvas.
Price: $60 plus postage.
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When I set out to paint a purple and yellow waterlily, I thought I was inventing something new, since I had only ever seen white and yellow waterlilies in the wild in my time growing up in Minnesota and Wisconsin. It turns out, they grow in all sorts of colors: violet, blue, red, purple, pink, fuchsia, orange, yellow and white. So, in this case, art imitates life.
Painting is acrylic on 20″ x 16″ stretched canvas.
Price: $200 plus postage
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This painting of a single dahlia blossom was the first time I have been commissioned to do a work in advance. In fact, I was paid, in full, in advance, and given complete artistic freedom. The client, who is our neighbor, only specified the size of the canvas. He sent me photos he had taken of his wife’s prizewinning dahlias. I could choose to do a grouping, a stand, a bouquet or a single. Neither he nor I knew the names of the varieties. The painting was a surprise for his wife’s birthday. I played around with the 10 or so photographs he had given me, until I settled on this: a single blossom on a 20″ x 20″ x 2″ canvas. I painted the entire area of the blossom with Cadmium Yellow as an undercoat. The paint for every petal has some of that yellow blended in it to convey the glow of that blossom. It took me over a week to paint. I painted the 2″ edges Cadmium Yellow. There is no need for a frame. I coated it with museum quality, clear spray acrylic to protect it. Dave was thrilled with it. He told me his wife Tammy is thrilled with it. I had named the painting, “Good Morning Sunshine!” Tammy saw it and recognized the blossom immediately as a “Sugartown Sunrise” Dahlia.
This painting really makes an impact at four feet wide and three free tall! It was such a beautiful weekend, I decided to accompany my wife and daughter to the Franconia Township Fall Fest, where they were selling their wares. Bethann makes clothing, purses and quilts. Hilary makes jewelry. I went along to help set up and take down and took this painting, along with my good easel and supplies, to work on it Saturday 11 to 6. Last week, when our daughter, April, saw it, she said it looked trippy. I said, “Yeah, sunflowers on acid.” She said, “More like the artist was on acid.” Full disclaimer here: neither one of us has ever done acid. (At least I know I never have. I mean, not that I remember.)
Illustration of Vogel’s model for n = 1 … 500
Sometimes, while I am painting, I learn more about my subjects. April mentioned the Fibonacci Sequence in the pattern of the florets in the heads of Sunflowers. In 1979, Helmut Vogel devised a formula based on it. His formula looks like this:
On Saturday, Hilary also mentioned the Fibonacci Number. She has a friend who gets excited about all of the different places it shows up. I mentioned that Sunflowers always face East to greet the rising of the Sun. She replied, “Except when the sun goes down, they turn and face each other.” Another person told me that later that day. I don’t know if that is true or just a romantic folk tale.
I had so much fun interaction with folks, especially the little ones, at the festival. At one point, about a half dozen 4-foot tall girls were walking down the path in front of my easel. They all happened to look left at the same moment, and in unison exclaimed, “Whoa! That’s beautiful!” That’s when I knew the painting was a success.
This work was what I did over the canvas I re-primed after giving up on the Indonesian floating market painting I had stewed over all Summer.
The painting is acrylic and marker on 48″ x 36″ stretched canvas.
I painted a Lavender Sunflower for our granddaughter, Isabella, for Valentine’s Day 2017. She loved it. Several of her paintings and a couple of mine that I had given the girls were destroyed by their wicked landlord, when he illegally evicted their family. They lost all of their toys and games, and household goods. The judge has awarded them restitution and punitive damages, that they are waiting to receive. I am painting simple daylilies and fantastical flowers to sell at reasonable prices so we can help replace some of the things they lost, as we find them at yard sales and thrift stores.
This painting is acrylic on 12″ x 12″ stretched canvas.
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